Designed by: PepsiCo Design & Innovation
Country: United States
Designed by TSMGO | Country: Spain
“The main graphic element is a registered Dotted Grid®. The second one is the typeface: Didot, the Didot types defined the characteristics of the modern (or Didone) roman type style, with their substantial stems flowing into extremely thin hairlines; the serifs are straight across with virtually no bracketing. Because of the very fine hairlines that are characteristic of modern romans, their use was somewhat restricted in metal types.”
Get the latest packaging design inspiration in your inbox:
“Boundless Brand Design and Beefeater Gin have collaborated to create a new, sustainable design for the Beefeater 24 bottle. The revamped design features enhanced aesthetics and sustainability credentials, embodying the ‘high-energy’ spirit of London.”
The design strategy adopted by Holman\Design® draws upon an eclectic mix of inspirations, including tarot cards, tattoo art, and gypsy culture. This choice reflects a deliberate effort to imbue Roca’s branding with layers of meaning
“Cantina Pippia’s packaging redesign elevates its Vernaccia wine with an industrial/folk aesthetic. The design features strong typography, a rough paper label, and an embossed foil finish, emphasizing its Sardinian heritage and high-quality product.”
“Bloody Drinks” captures attention with its bold design and bespoke typography by Glaswegian agency, Freytag Anderson. The dynamic brand identity exudes provocative charm, perfect for their range of ready-to-drink alcoholic and non-alcoholic beverages.
BARK has unveiled The Snack Pack, a line of dog treats with packaging inspired by classic breakfast cereals. The range includes interactive QR experiences, mascots, and fun activities, alongside a range of delicious flavors for your furry friend.
Designed by: PepsiCo Design & Innovation
Country: United States
Designed by TSMGO | Country: Spain
“The main graphic element is a registered Dotted Grid®. The second one is the typeface: Didot, the Didot types defined the characteristics of the modern (or Didone) roman type style, with their substantial stems flowing into extremely thin hairlines; the serifs are straight across with virtually no bracketing. Because of the very fine hairlines that are characteristic of modern romans, their use was somewhat restricted in metal types.”
