Designed by: PepsiCo Design & Innovation
Country: United States
Designed by Bureau Number 4 | Country: United States
“Number 4 High Performance Hair Care was founded with the mission to create a hair care line that runs parallel to fashion, science, art, music and industrial design creative cycles. The Number 4 package design is inspired by the crossover between the essence of Swedish graphic design and the complex industrial minimalism of Japanese package design.”
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Steven Noble created unique illustrations for Left Field Wines, leveraging New Zealand’s ethos of exploration and creativity. The hand-carved designs, featuring whimsical creatures, have successfully broadened the brand’s global appeal.
Laphroaig leverages story-telling to engage new drinkers, transforming the iconic green wellies into a giftable, reusable packaging for their single malt whisky. The wellie-inspired design disrupts traditional Scotch packaging, adding a playful touch to the brand’s history.
In celebration of the Year of the Dragon, Leo Burnett Singapore and Beam Suntory have unveiled a new, special edition packaging for Bowmore® Islay Single Malt Scotch Whiskey. The design is a striking visualization of a determined carp’s journey of transformation into a powerful dragon.
Discover the unique packaging design of this underwater-aged wine, featuring a vintage label tied with a rope and a small book. Each bottle gains originality as marine life adheres to it during sea-bottom aging.
Discover the transformative power of wine with Crazy Grapes. These Monatrell grapes have the magical ability to turn a simple meal into a tribute, a date into an experience, and a gray evening into a party.
Designed by: PepsiCo Design & Innovation
Country: United States
Designed by Bureau Number 4 | Country: United States
“Number 4 High Performance Hair Care was founded with the mission to create a hair care line that runs parallel to fashion, science, art, music and industrial design creative cycles. The Number 4 package design is inspired by the crossover between the essence of Swedish graphic design and the complex industrial minimalism of Japanese package design.”
