Designed by Matthew Smiroldo | Country: United States

“All smokers have the problem of forgetting a lighter at the most inconvenient times. Nomad is a brand that I created to solve this problem with a self lighting aspect. The tip of the cigarettes echos the design of a match. When the cigarette is struck against the box it self lights and is ready to smoke. Reinforced by bamboo strips, these non traditional tobacco sticks are strong enough to strike but still have great flavor.

The packaging was created to resemble a matchbook, communicating the self lighting aspect. I wanted the graphics to convey a bohemian and edgy feel. Inspired from old western designs and matchbook covers i developed the nomad design solutions in three flavors.”

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Designed by Andreas Fossheim | Country: Norway | Font: Metroscript (modified)

“Last year I finished my graphic design studies at Westerdals School of Communication (Norway). For my diploma assignement, I decided to ask the question «What would a brand of legal cannabis cigarettes look like?»  Wanting to distance the brand from regular cigarettes and the established design-language of coffeeshops, I opted for a fun, fifties-inspired identity.  The «Northern Lights», «Pacific Wings» and «Deep Space» product names serve as an indication of product strength, as well as emphasizing the travel imagery in the Pilot name.”

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Designed by Derek Hunt | Country: United States

“X Tobacco’s packaging tries to shy away from typical tobacco product branding as far as masking the true nature of the product. The brand (X) is the product and the product (cigarettes, tobacco, papers, filters, etc) is the brand. The packaging reflects this idea of transparency.”

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Designed by Royalt | Country:United States

“Debonair Cigars and Tobacco are designed with a focus on the early 1900’s. Stay confident, stylish, and charming.”

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Designed by Base | Country: United States

“Base ‘lights up’ pot-ential through creative reuse.

Base, an award-winning international design firm, announces that its concept packaging design for marijuana cigarettes will be featured in the upcoming issue of PRINT Magazine, on newsstands in mid July.

The magazine’s design challenge was simple: “What would a pack of marijuana cigarettes look like after legalization?” In response, Base has come up with a clean and simple design strategy that recycles mass-produced everyday items popularly used by smokers to transport their secret stashes. The design proposal suggests that anything – from a film canister to an Altoids’ tin – once painted white and marked with the iconic five-blade leaf sticker could be transformed into packaging. The bold, black-and-white design frees the containers from their previous commercial branding.

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Designed by Daniel Blackman | Country: United States

“Items and habits handed down from my grandfather, to my father, to myself.”

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Design by Neumeister | Country: Sweden | Fonts used: Neue Helvetica

“Input: Moist Snuff, a smokeless tobacco product placed under your upper lip, is widely associated with a blue-collar culture in Sweden. The company behind Skruf wanted to reposition the brand and appeal to a wider audience.

Output: New packaging in white that made the brand feel exclusive, luxurious, contemporary and unisex.

Outcome: Substantial increase in sales despite the declining market.”

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Designed by Nathan Hinz | Country: United States

I stumbled across this lovely package on FFFFOUND. If anyone has any insight regarding the people responsible for it please let us know.

Designed by Richard Palmer | Country: United States | Font used: Myriad

“It was really a case that Capri ‘the super slim luxury cigarette’ had grown old with it’s consumer, it needed a face lift! Women didn’t want to be afraid to show the pack they were smoking, they wanted to be able to express their own personal chic style.”

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Great student work by Eli Horn for Weatherbey’s Fine Tobacco.

“Branding for boutique cigar shop, Weatherbey’s Fine Tobacco. Inspired by gentleman’s clubs, barber shops, lingering smoke, mahogany officeware, cuff-links and tie-clips, and the overall elegance of masculinity.”

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